Tag Archives: Quentin Tarantino

7 Deadly Sins of Bad Filmmakers

meh, maybe it's not that bad, give it a watch yourself.
meh, maybe it’s not that bad, give it a watch yourself.

For those of you looking for tips on how to avoid eternal damnation then you’ll be disappointed.  The only Armageddon scenario I could paint would be of Bruce Willis and Ben Affleck flying off into space; In fact that would be a good way to simulate ‘eternal damnation’ – just watch Armageddon.

Yes watching bad films can be excruciatingly painful and even worse when they are our own. Some filmmakers continue to make the same mistakes and take no time to look internally. From personal experience, mistakes made, lessons learned and some unfortunate people I know here are the most 7 deadly sins a bad filmmaker makes on a regular basis.

ENVY

Do you know what I’d like to see more than your crappy homage to a Quentin Tarantino film? A Quentin Tarantino film. Envying your favourite filmmaking and films is easily done, it’s what inspires us, but don’t let it stunt your development. Don’t covet filmmakers so much that you forget you’re not actually Christopher Nolan or Scorsese or whoever. There may be no such thing as an original idea anymore but YOU certainly are original. What would you like to explore and what part of your personality are you going to inject into your film that Tarantino couldn’t? You’ll have much more success if you’re clever about how you introduce YOUR audience to YOUR inspiration, not ram it down their throats.

SLOTH

Laziness is a terrible thing and what’s worse it can hit you at any stage of the production! This is important, the buck stops with you. If you fail, look to the person who knew the most about the film- i’ll give you a clue, he or she lives in the mirror. You don’t have to be working all of the time but when you do, work in this order –

STEP 1 –

Things I can do right now – Could be anything from a ‘to-do list’ to calling your DOP for a chat. Usually things that fall into this category usually result in-

STEP 2 –

Information Acquisition & Distribution – Now this is a lot more simple than it sounds. Completing tasks usually gives you new info to work with and you should distribute that info into more tasks, the more tasks you complete, the closer you are to finishing your film.

STEP 3 – Repeat steps 1 & 2

LUST

I actually can’t think of anything for Lust, errr, don’t sleep with the cast and or crew.

GLUTTONY

When you’re starting out and even long after, don’t be greedy of people’s time, creativity and effort. If you’ve got a cast and crew working for the minimum you have to acknowledge the commitment they’ve made to YOU and YOUR film. They are your most valuable asset and you’ll only earn respect if you respect that they have lives outside the film. Scheduling is key to making sure you’re planning is proficient enough to keep your film moving forward.

AVARICE

Most damaging long term. I see this so many times, filmmakers wanting to be recognised for everything they’ve created “I’m the brains behind the operation” said Dummy. Humility goes a long way, don’t feign being humble, you did work very hard after all but give credit where it’s due. When you’re promoting your film you’re also promoting yourself. No one wants to work with a selfish, glory hogging, avarice director!

PRIDE

I want to specifically write about festivals and distribution. There’s always a buzz around finishing a film because it’s the culmination of months of hard work but don’t let your pride cloud your judgement. Pride is the reason why you don’t enter the right film festivals because your film is sooo good it’ll win them all. This is your time to speak to filmmakers for feedback, research how you can distribute it and which festivals will be welcoming to your masterpiece.

WRATH

Surprise surprise, after making 6 of the deadliest sins known to filmmakers you feel WRATH! “How could we have not won, those Raindance judges are idiots!” No, you are the idiot. Take the hits, the criticisms, it’s all adding to your arsenal,

‘Successful filmmakers build over their failures, they don’t replicate them’. Me, I said that.

Personally, I think it’s natural to make these mistakes, we’re all guilty of it every now and again. I’d like to think that if you’re mindful enough you can tackle just enough sinning so that your film and your career stay in tact – long enough for you to make a better film at any rate! So go forth, make mistakes, learn those hard lessons and I have no doubt that your next film will be heavenly!

God2-Sistine_Chapel

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